It is how life brings it all rushing back when one day you are there and the next day you are not.When a scent wafts past me, a subtle whiff as familiar as it is fleeting, someone seems to be calling my name. I have no perception whatsoever of the person facing me, but a tsunami of sense and memory swells all around me: touch, sound, face, glass, laughter. Then, just as it began, it stops. Something I had almost forgotten about was played for a split second before me. And gone. It was a stumble, a slip, a heartbeat. Or was it a…? And was the result, at that particular moment, the other way around? Or perhaps, and this is the most profound, wasn’t it the other way around?
Next there are the songs; those old school tunes that still hook me, that come on the radio out of nowhere, when I least expect them, and trigger reflex memories of days of long ago. Sometimes notes from some song take me back decades to a time I cannot believe existed: a time when, somehow, being was actually more certain than becoming, and joy was never something you had to earn. Like music, memory is a touchstone for retrieving and living in the past, bringing yesterday into our moment in such a way that it feels tangibly present. But the truth is, all songs have stories.
Much of the time I reside in the place I call Nostalgia, a vague world between the here and now and whenever it was. I frequently wander the byways of my thought, down the mental roads and lanes and streets of my many and various dreams. I reach into the boxes of my heart, sift through the drips and drops inside my head hoping, more or less incoherently, to find the person I’m looking for. I search the corridors of my psyche, where each room and each hall has its tale, its face, its feeling, its former world, as I struggle to find that one who’s no longer there.
It is an elusive search to fill in a piece of a jigsaw puzzle whose picture I will never see in its entirety. The hook and its disconnected balance create a permanent wound, a societal, emotional cavity that could be filled only once with the optimism and hope of coming together as ‘we’ but has been shattered into a million pieces, some lost forever. That permanent wound will never heal, not over time, nor with the distractions that life offers. When I try to fill the void, to make it whole again, I inevitably try to satisfy it with a piece that does not fit.
However, the void isn’t just a place of pain; it is an active engine. The void propels me, drives me, makes me who I am. I am what I remember, what I have loved and lost: I am a product of my memories, the joyful ones that draw a smile to my face and the sad ones that formed my scars. The void is the testament of my capacity to love and to care, an affirmation of of the connections that touched me so deeply that their absence remains a living part of who I am.
It is this truth about the way that, even in our need to reconcile that troubling past, the dance is with the self as you are now, that I am happier to accept. If the human act of friendship is in part about filling an emptiness like the one that gaped inside me, the void itself is evidence of how full was another part of my life: in love given and received, and how deep were the connections. It would be easier if the hole could be healed. But that is not the way of things. So the emptiness of love unreturned leaves my life as rich and nuanced as if handled differently.
The void has no face It just walks softly beside me, a shadowy escort. Its presence never dissipates.
I take them with me into the present, where they guide, inspire, and sometimes comfort me, because they tell me that in grief there is beauty, and in nothingness there is still something. And I still keep living, a mosaic of before and after, paved with stones carved from the echoes of my nostalgia. I embrace the void, not as lack, but as being that makes me who I am; the silent, unsounded spaces into which my life leaks, to give it its depth, and its meaning, making me a living monument to what memory and love can make us.

